The Supply Run

Class: Creative Arts (Professor Timberclank)

Pairs with: Lesson 6, "The Materials Library & First Tool-Making."

Trip type: Shop, At Home & Out.

Where it works: Any art supply store, craft store, or well-stocked stationer's. One aisle of pigment and paper is enough; a big store is a whole afternoon. Browsing costs nothing, and this trip is for looking first: the list comes home before the money goes out.

Why we're going: Lesson 6 builds the workshop's materials library and asks what a maker actually needs to keep in stock. Every age has stocked that library somewhere: the scriptorium's supply room then, the art supply store now. This trip audits the modern version with a scribe's eye, so the shelves stop being shopping and start being a catalogue of what materials exist and what each one is for.

The mission: An art supply store is the modern version of the workshop's materials library, and before that, of the scriptorium supply room: pigment, paper, brushes, binders, and tools in rows. Walk it like a storeroom audit. Find what a medieval scribe stocking a desk would know on sight, and what would stop that same scribe in the aisle, baffled. You will come home holding your audit: the ancient things, the changed things, and the one thing you could not identify, with your best guess at its work.

What to record:

  • Three things a medieval scribe would recognize immediately, and why

  • One modern material that does an old material's job, and how its label explains it

  • The pigment and color section: how many colors, and how they are organized

  • One tool that has barely changed in five hundred years

  • One thing in the store you cannot identify, and your best guess at its work

How it runs:

Level One — At Home: Audit your own shelves first. Spread out every art and craft supply your household keeps, sort it the way a store would, and run the same questions over it: what here is ancient, what is new, what has changed least. Then compare an online supplier's catalogue against your list and note what your storeroom is missing.

Level Two — In Person: Go to the store and walk every aisle, not only the ones you came for. Test pens only on the tester pads, and ask the staff the question they hear least: what is the oldest kind of thing you sell?

Picture ideas for the gallery:

  • The pigment wall: rows of color organized the way the store thinks color works.

  • One tool that has barely changed in five hundred years, on its shelf.

  • Your home supplies spread out and sorted like a store, if Level One kept you home.

  • The baffling thing you could not identify, photographed so your report can ask the school what it is.

Etiquette & safety: A shop is somebody's workplace. Keep aisles clear, return everything to its shelf, and buy nothing the lesson does not need: a supply run is for looking first, and the list comes home before the money goes out.

Field Report: Which would a medieval scribe envy more, our materials or our prices, and what would they refuse to trade away? File your report in the comments: where you went, what you found, and one thing that surprised you. Photographs go to the Field Trip Gallery through the form on the Field Trip Office page, with the town and country where they were taken.

Previous
Previous

The Tool Wall

Next
Next

The Sundial